Ууно Клами - "Суоменлинна". "Калевала", "Приключения Лемминкяйнена на острове Саари". "Морские картины"
No composer in the history of music could have had a more unusual start to life than Uuno Klami. He was born in 1900 in a remote part of Finland near to the Russian border. His parents were not musical, and in this part of the world there was no active musical life. Yet at elementary school he one day proudly announced he was going to be a composer. It was to be a difficult path to travel, his father dying when he was three, and his mother when he was sixteen. He had to leave school at fifteen, but somehow made his way to Helsinki where he alternately worked and studied at the Helsinki College of Music. It was to take him nine years to complete his studies there. In the spring of 1924 he travelled to Paris and was fortunate enough to meet Ravel and Florent Schmitt, who helped and encouraged him. Still not content with his education he went to spend a year in Vienna. By now he was almost thirty, and though some of his student works had given optimism to his future, he still had to make a lasting impression on his Finnish audiences. That came with the Karelian Rhapsody, a work on Finnish themes. It was the first step in establishing himself as one of the major Finnish composers of the 20th century.
He composed in bold and often primitive colours, never afraid to court an easily accessible style. He was to write a considerable amount essentially using large forces, and his catalogue includes oratorios, concertos, tone poems, and orchestral suites. His best known and most famous work is the Kalevala Suite composed in 1933, and coming shortly after the Karelian Rhapsody. It is based on the Finnish epic story that had tempted Sibelius - among others - to use it before him. It was in four quite extensive movements charting the story in graphic detail and ending with the pungent Forging of the Sampo. Ten years later he returned to the score, revised it, added a fifth movement, and it is this version, first performed in Helsinki in 1943, that is performed on this disc. The six movement Sea Pictures was completed in 1932, the performance of the last movement in 1931 spurring him to complete the work. It is graphic score, the title to each movement being pictured therein, the final section, 3 Bf, indicating the wind speed on the Beaufort Scale. This latter work shows Ravel's influence very clearly. Its last movement sounds just like Boléro sort of played sideways! There are also clear similarities to the Rhapsodie espagnole, and it's no disparagement of Klami to say that his music has the same brilliance and refinement as the French master's.
Lemminkainen's Adventures on the Island of Saari, was originally intended for the Kalevala Suite, but its length disturbed the balance of the work, and Klami published it as a separate tone poem.
Suomenlinna is the name of the islands on the approach to Helsinki, which were fortified to protect the city. In Klami's stirring overture there is a strong patriotic feeling, in a work of strong colours.
Uuno Klami (1900-1961)
1 Suomenlinna, overture, Op. 30 00:11:05
Kalevala Suite, Op. 23
2 I. The Creation of the Earth 00:06:42
3 II. The Sprout of Spring 00:04:35
4 III. Terhenniemi 00:06:32
5 IV. Cradle Song for Lemminkainen 00:04:17
6 V. The Forging of the Sampo 00:07:07
7 Lemminkainen's Adventures on the Island of Saari 00:10:50
Sea Pictures
8 I. A Foggy Morning 00:02:47
9 II. Captain Scrapuchinat 00:02:40
10 III. The Deserted Three - Master 00:04:33
11 IV. Nocturne (Song of the Watch) 00:03:00
12 V. Scene de Ballet 00:01:30
13 VI. 3 Bf 00:06:06
Turku Philharmonic Orchestra
Jorma Panula, cond.
http://files.mail.ru/ZSI1FS
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